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Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

Wednesday, August 25, 2010

Shared Palette: A HOT & NEW Entertainment Idea for Fundraising Events!


If you are looking for
entertainment that is creative and interactive, absolutely memorable and tangible, then check out Shared Palette 'Art Entertainment' - it's perfect for Fundraising Gala's because art is incredibly special when partnered with a good cause.

Shared Palette is an interactive artistic experience and a chance to create together.
No previous art experience needed - I'll set-up an mini art studio at your venue, and when the party starts, so does the art! I'll demonstrate how to make a mark with a brush, and then invite the guests to add their magic touch to the painting that is entirely customized to the theme of the gala, and essence of the cause. In less than 3 hours, a 30"x40" painting is created, and ready to be auctioned off to raise money on behalf of the charity. 
 
It's magic when we paint together, and it leaves everyone with an unforgettable memory of a cathartic experience that unites and liberates our artistic spirit!
 


"What a joyful honor it is to help someone find the courage to make their mark. I believe everyone has the ability to express themselves creatively and I can help show them the way." - Sharlena Wood


Shared Palette with artist Sharlena Wood
artist + guests create together

Check out my website, and contact me to discuss details of your event. 

Thursday, March 18, 2010

Acrylic grounds for mixed media

It's really easy for me to fall in love with materials. These past few years I've been dating acrylics. First, it was Tri-Art's gorgeous Artist Acrylic colours that won me over, then their innovative recycled paint Sludge...then I fell madly in love with Dry Media Ground, and now I just can't get enough of Nepheline Gels (the following artwork is graphite, charcoal and pastel on Nepheline Gel Coarse, and it's published in the New Acrylics Essential Sourcebook: Materials, Techniques, and Contemporary Applications for Today's Artist mixed media chapter). Just as I'm known for charcoal, acrylics have now become synonymous with my mixed media works, blurring the line between drawing and painting. Acrylic grounds allow me to create a textured surface that is very exciting and different than just working on common surfaces. And just like paper, I can soften dry media (graphite, charcoal, pastel) to a velvet finish with a brush, and also leave crisp edges, intense with colour or value.

Dry Media Ground is simply perfect, and will always be my true love! When you apply it to a surface, the result is like a very fine sandpaper. If you have ever used a pastel paper or board, that's what I'm talking about - it's the same thing, only it's much more cost effective to buy the Dry Media Ground in a jar and then you can create your own surfaces the way you want them. You can add colour to it or even apply it on top of layers of acrylic paint, creating a new surface of possibilities! On the other hand, Nepheline Gels have a unique granular texture and appearance. It's available in a fine (which is not as fine as dry media ground), a coarse and extra coarse. Just like Dry Media Ground, Nepheline Gel can be mixed with colour or used on it's own, glazed over top of and anything else you can think of....and it's a brilliant surface for graphite, charcoal, pastel and other drawing materials.

Gesso is a common ground for sealing surfaces for painting preparation. I love drawing on Gesso with graphite or charcoal. Gesso is a very dense White, but it is also avail in Black, Burnt Umber or Canvas colours, and even better, Tri-Art recently came out with a Clear Gesso and it's absolutely fabulous for tinting.  I also find it particularly useful when I have a beautiful piece of birch that I want to prepare and yet incorporate the natural wood surface into the art itself. I use to draw right onto wood and yet have found that over time the wood gets oily and stained and dirty, and I can already see that my newer pieces will last longer simply because the wood is primed. On that note, though I am an experimental art materials pixie, I've learned that there are some rules you should follow...there will always be plenty of rules you can still break! A few rules I recommend for all artists: always use good quality materials, take the time to experiment and get to know your materials, and prepare, finish and safely store your art. 


A few secrets to relieve any fear of acrylics and mixed media:
  • all acrylics and mediums are ok to mix. it's recommended to mix artist quality with artist quality/student quality with student quality and so on, but that aside don't hesitate to try new brands. Company's often has a signature colour or product, such as Tri-Art's new Artist Acrylic colour 'Golden Orange' and it's good to step out of your comfort zone even in regards to your favorite brand of paint!
  • acrylics are the most versatile medium out there, and can be used on a variety of surfaces and combined with any dry or water-soluble medium....and you can really open up new worlds by exploring collage and sculptural materials. 
  • Rheni Tauchid's book New Acrylics Essential Sourcebook: Materials, Techniques, and Contemporary Applications for Today's Artist will inspire and is a handy reference with detailed charts on how to prepare your surfaces, using acrylics with other mediums, media and materials.
  • it's ok to fall in love with your materials ...the paint, the canvas, the brushes, the tools... and the play, the journey, the creative process

     
 MY FAVORITE QUOTE TODAY!
Creative people are curious, flexible, persistent and independent with a tremendous spirit of adventure and a love of play. ~Henri Matisse

Monday, February 22, 2010

Learning to see

Everyone can draw. Learning to draw is really a matter of learning to see correctly. Then add feeling and thought. It really is that easy, but most people are discouraged before they event get past kindergarten.

I read an article from an old magazine that a friend passed on about some artist's inspirational drawing experiment. They asked everyone they met in a cafe to draw a saltshaker in their journal and then sign it. Everyone could do it, but just needed some coaching on how to actually look at the saltshaker. I absolutely loved this idea. It challenged the inner bully that says 'I can't draw' and instead offered the idea that they just didn't know how to see. If a person can learn to observe clearly, then drawing becomes easy.

In my personal journey teaching art, I see that those who are able to connect with how they feel end up with the best drawings, even if there is no previous experience. For a first time in long time drawing, here are some guiding tips.

 Draw what you feel about what you see. (Jack Reid)


Move your object around (or you move around it) and see it at different angles. Find something about it you are interested in.

Once you have decided, look for the largest, most general shapes and start to draw those lines first (then draw in all the smaller shapes).

Proportion is relative, so if you are not sure, then compare it to something beside, around or inside it.

DRAW WHAT YOU SEE (not what you think...this means that you should actually be looking at what you are drawing more than looking at the paper ;).

Now put in the shadows (those are shapes too) and don't be afraid to go really dark! Notice that value is also relative to its surroundings, and that there's a variety of dark, mid and light values. Notice the edges....are they soft edges that change subtly or very sharp, changing abruptly from dark to light?.

DRAW WHAT YOU FEEL. The structure is all there now, so its time to delight in all the little patterns and details! Dots, lines and scribbles are all ways of creating interesting textures and expressionistic marks.
    Let go of the idea that it has to be perfect....there is something fantastic about your own unique way of seeing and sharing that! So get that old kindergarten teacher's voice out of your head, she sucks and she's wrong. It's all about passion and more about self-expression than perfection. I'd rather say that it's better to be wrong and strong than right and light, and I would love to hear more people say "I can" ;)

    You can't use up creativity. The more you use, the more you have. (Maya Angelou)

    So start with a saltshaker. The best part is, once you get past that first drawing, the more you draw the better you get as your eye-hand coordination skills improve. Drawing is quite enjoyable too, very relaxing and meditative. It's like writing, music and dancing. Creativity in all it's forms is a release that lights up our spirit and makes us feel alive. So draw just to celebrate, because you can see.

    Friday, February 12, 2010

    Cityscape mixed media paintings

    My cityscape series was in a group show last October, and recently featured on the Empty Easel Blog with a fabulous review. These works explore offbeat urban environments, created by abstracting the architectural and natural design elements of our beautiful and yet edgy cityscape.

    From my love of drawing, I have developed a process of charcoal worked into layers of paint. I begin by drawing the basic and most important shapes, then layering dramatic values with minimal, harmonious colours. I draw into the paint with a charcoal stick, and use large Escoda Bristle brushes to blend the dry media to create rhythm in the line. I live for the final stages of adding textured and dark energetic marks.

    Working with charcoal reminds how simple line is pure and beautiful, and some lines are so wonderful that instead of working with them, I work around them. It is an intuitive process working in harmony with the properties of the materials. There are beautiful collisions of media that become the forefront of my work and I hope it allows viewers to be curious and imaginative about the artistic process and result. 

    Please visit my website to see the whole series, and for prices and availability.

    Thursday, November 19, 2009

    climate change art

    I have always been drawn to get involved with the environment. Now it's only a matter of how I will be involved. It affects my heart and spirit deeply the way we've let things get so unbalanced. I've reached my personal boiling point and can't go on living my life the way I always have before. I've got to make some kind of artistic statement to speak for me about the changes that we must make.

    I believe that art can make a difference.

    And I think we can make the right choices and adapt to the necessary changes.
    We were all saying it a year ago, now say it with me again....
    YES WE CAN!! 





    http://www.frankejames.com

    (I want Bothered by My Green Conscience for Christmas!)
    xLDen>en YahooCerror

    Friday, November 6, 2009

    Martys 2009 interview

    In August 2009 I was interviewed by the Mississauga Arts Council. I was nominated for Emerging Visual Artist for the 2009 Martys, and all nominees were interviewed. I adore MAC and they made me feel very comfortable in the AGM where they set up the camera...I was def more nervous the awards night. Maybe one day I'll hire them to set up another interview, which could be the start of my young autobiography...there are too many twists and magical moments to my life that may just have to be told. Someday.

    Here's the video with the best parts from the footage that I made with iMovie.

    Tuesday, August 4, 2009

    Feature Artist: Claudia Jean McCabe



    I love this woman
    www.cjmccabe.com





    Montreal-born claudia jean mccabe is a recognized Canadian painter, graphic designer, teacher, creator of musings, storyteller....and dreamer. Over the course of her artistic career, she has participated in numerous solo, featured and group exhibitions at both provincial and national levels. This award winning artist is an elected member of the Society of Canadian Artists. mccabe's paintings are held in private, corporate and government collections worldwide.

    Monday, March 9, 2009

    DRAWING: Use Bread as an Eraser?


    When I saw this article in American Artist, I instantly thought of Jim Dine. At a workshop I took early Dec ’08 we watched a video of Jim preparing an exhibit for a German gallery of large wall drawings - charcoal works drawn directly onto the walls. I just loved it, for many reasons: He uses his hands and non art material related tools such as charcoal tied to a stick/rags/bread to erase, he was intuitive in his approach (the ultimate visionary), and that the art was temporary (to be painted over at the end of the exhibit).

    ‘Drawers used the soft parts of bread to erase marks made by lead, graphite, chalk, and crayon. Bread was readily available (except perhaps for the most starving of artists), and when it comes to erasing marks, the only important thing is strictly physical: The eraser component must be composed of molecules that are stickier than the molecules of the drawing surface so that the marking material is pulled away from the surface and adheres to the eraser.’
    excerpt from Post Feb 24 2009 by Bob Bahr - American Artist
    inage: Athena's Night, Jim Dine, 1995
    charcoal and isolated areas of pastel, 79 1/8" x 41"

    ps. I really really want to draw on walls.

    Sunday, March 8, 2009

    ARTIST: John Virtue

    John's high contrast paintings are like large charcoal drawings. I find it most intriguing that he handles shellac and ink on raw canvas with a cloth in his hands...and I just love his ink spray bottle ♥
    Image:
    Landscape No. 704, 2003-4 - acrylic, black ink and shellac on canvas 244 x 244 cm